Izvajalec: Magrathea
Založba: Samozaložba
Izid: year
Ocena: 4/5
Ime Magrathea mi je že kar dolgo znano in njihovo glasbo sem predhodno spoznal prek samplov na njihovi spletni strani. Končno sem se odločil dati priložnost tudi celotnemu albumu in klaviaturist Glenn Alexander je z veseljem uslišal moji prošnji. Že sampli so mi bili sila všeč in mislil sem, da ima zasedba precej talenta, a dostikrat skupine izpostavijo svoj boljši material, medtem ko zna biti njihova ostala glasba precej šibka. Zato sem bil pri Magrathei previden. A za to ni bilo razloga. Takoj, ko sem slišal prvo skladbo na In Search of the Crystal, sem vedel, da gre pri njih zares.
Dandanes Magratheo sestavljata le dva člana, in sicer Glenn Alexander, ki opravlja delo na vokalu, klaviaturah in bobnih (programiranih?) ter Gary Gordon, ki se ubada s kitaro in basom. Na začetku svoje poti sta s skupino sodelovala še bobnar in kitarist (takrat je Gordon še igral bas), zdaj pa sta moža ostala sam. Če sodim po kakovosti materiala, jima gre precej dobro tudi brez ostalih članov.
Magratheo bi človek kaj zlahka zalučal v isto kategorijo kot toliko drugih skupin, ki želijo ujeti tisti progresivni duh simfoničnih skupin iz sedemdesetih, a je precejšnja razlika. Magrathea zna na trenutke biti precej temačna, kar je prav tako prisotno pri zelo bistrih besedilih. Prav zato bi Magratheo uvrstil v podobne vode kot na primer Arena ali IQ, dve zasedbi, ki imata prav tako zanimiva besedila in igrata temačno glasbo.
Že od vsega začetka je jasno, da Magrathea veliko črpa od skupine Genesis. Poznam veliko zasedb, ki počno podobne reči, a le redke so take uspešne kot Magrathea. Glasba je narejena s stilom. Čeprav zvok spominja na Genesis, ko so bili ti sredi 70ih zreducirani na štiri člane, pa so kompozicije kar izvirne. Prvo in zadnjo skladbo bi lahko uvstili med klasične epske stvaritve, ki se poklonita mojstrom iz 70ih, a glavni del albuma vsebuje krajše in bolj spevne pesmi. Tudi v teh je precej soliranja, tako na kitari kot na klaviaturah, a je struktura dokaj osnovna. Ta melodičen vidik me spominja na Areno. Tudi tam dostikrat na album uvrstijo kakšno epsko stvaritev ali dve, medtem ko preostali del albuma tvorijo bolj spevne pesmi. Poleg vpliva Genesis, se na trenutke sliši tudi Emerson, Lake and Palmer (orgle), včasih pa tudi Yes (sintetizatorji). Magrathea ima dobre vzornike, a vse to smo že videli pri drugih skupinah. Magrathea zna te vplive vnovčiti in skupaj s svojimi idejami sta moža naredila album, ki je boljši od mnogih večjih (bolj popularnih) zasedb.
Magrathea je hudičevo dobra skupina. Oba moža imata očitno kar dosti znanja na svojih instrumentih, a nista takšna, da bi se s tem šopirila. Svoje talente izrabita v dobrobit glasbe. Glenn je odličen na klaviaturah in pričara nekaj lepih solaž na orglah in sintetizatorjih. Gary je prav tako izjemen na kitari, ki je lahko bolj nežna ali pa hard rockerska. Glenn je zadolžen tudi za vokale (skoraj prepričan sem, da tudi za besedila). Po glasu rahlo spominja na Fisha (ex-Marillion). Njegov glas je nežen in mil in precej samosvoj. Tudi to pogrešam pri današnjih pevcih. V glavnem vsi zvenijo neizrazito. Glennov glas je zelo izrazit, čeprav po slogu včasih spominja na Fisha. Edini manjši problem na albumu bi znalo biti bobnanje. V glavnem je dobro, a parkrat programirani bobni (predidevam da so programirani) zvenijo nenaravno. Če res gre za programirane bobne, so narejeni zelo dobro, saj je zvok v glavnem popolnoma naraven, le par lapsusov je, kot sem že omenil.
Ena od glavnih lastnosti, ki to zasedbo loči od drugih podobnega kova, so besedila. Glenn Alexander piše izjemno inteligentna besedila in ima dober vpogled v več različnih tem, z ravno pravo mero britanskega humora. Tudi to pogrešam pri novejših skupinah – humor, ki je tako krasil skupine iz sedemdesetih. Glennova besedila so globoka in prav takšen je tudi njegov humor. Ne gre le za preproste straniščne šale, vendar je o humorju treba kar dobro premisliti preden ga razumeš. Šale prav zaradi tega razloga še mnogo dlje kot pri nekaterih drugih izvajalcih (Zappa, na primer) ostanejo smešne.
Magrathea bi morala biti precej bolj priznana kot pa je. Morala bi igrati na takšnih prizoriščih kot Arena in IQ. Zdi pa se mi, da se bo skupina težko prebila iz obskurnosti in bo vedno nosila le naziv kultne skupine. Če bi želela moža pridobiti večje število oboževalcev, bi se morala podati na koncertno pot, kar pa žanje precej denarja in je tvegano. Rad bi videl česa je Magrathea sposobna v živo, a jih razumem zakaj tega ne želijo storiti. Če bosta še dolgo delala takšno glasbo kot na tem izdelku, potem se nimam kaj pritoževati. Ljubitelji neo sloga in novejših simfoničnih skupin bodo nedvomno v Magrathei uživali. Kar se mene tiče, so na istem nivoju kot IQ in Arena ter boljši kot The Flower Kings in Spock’s Beard.
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I’ve been aware of the name Magrathea for quite a long time and I’ve heard quite a bit of their music from the samples on their website, so I finally decided to take the plunge and give a chance to an entire album. I already enjoyed the samples immensely and thought that this band had a lot of talent, but bands often put their best material on display, while the rest of the music can sometimes be pretty weak. So, I was cautious with Magrathea. But there was really no need. The minute I heard the first piece on In Search of the Crystal, I knew Magrathea was the real deal.
Magrathea is nowadays a duo made up of Glenn Alexander on vocals, keyboards and drums (programmed?) and Gary Gordon on guitar and bass. At the start of their recording career their line-up also included a drummer and a guitarist (in those days Gordon played bass), now it is just the two of them. Judging by the quality of the material, they are doing just fine on their own.
It would be easy to lump Magrathea together with so many other newer bands that try to recapture the spirit of the 70s symphonic bands, but there is a big difference. Magrathea’s music can be very dark and sinister at times, as can the lyrical matter, which is also very clever. That is why I would consider Magrathea to be in the same league as bands like Arena and IQ, which also have intriguing lyrics and often the music is pretty dark as well.
It is clear from the start of the album that Magrathea draws on the influence of Genesis quite a bit. I know of several bands who do this, but Magrathea really do it with style. The music is very tasteful. Although the sound may remind of the 4-man era of Genesis, the compositions are pretty original. The first and the last song on the album could go down as classic epics with nods to several of the big 70s names, but the middle part of the album is made up of catchy songs with truly great hooks. Naturally, there is a lot of soloing on the keyboards and guitar, but the song structure is pretty basic (except for the two “epics”). In a way, this melodic quality of the music reminds me of Arena, where they also put an epic or two on their albums, combined with more melodic songs. Besides the Genesis influence, there is also an obvious ELP vibe in a couple of places and I noticed some Yes elements as well. All the influences are there, but it is important that Magrathea know how to utilize this. And they do this masterfully, with the end result being a crafty collection of songs and epics that put many bigger (more popular, to be precise) bands to shame.
Magrathea is indeed one hell of a band. Both guys obviously have a great deal of expertise playing their instruments, but they don’t show off too often. They use their talents to make better music. Glenn is great on the keyboards, with many nice organ and synth solos. Gary also does some terrific guitar work, ranging from softer to hard rocking. Glenn also takes on the vocal duties (I’m pretty sure he’s also the lyricist). There’s something Fishy about his voice (I mean the ex-Marillion singer not the aquatic vertebrate). His voice is soft and mellow and very distinguishable. That’s also one of the features I miss in singers nowadays. They all sound the same. Glenn’s voice is quite unique, even if his styling does sometimes resemble Fish’s. I think the only slight problem might be the drumming. It’s usually okay, but on one or two occasions the programmed drums (I’m assuming they’re programmed) sound too fake. If the drums are programmed, they are done extremely well because most of the time they sound very natural, except on a couple occasions, as I’ve already mentioned.
One of the key features that distinguishes this band from many others of the same (or at least similar) ilk are the lyrics. Glenn Alexander’s lyrics are highly intelligent and insightful, with just the right dose of British humour. That’s what I’ve been missing in newer bands – the humour that the 70s bands were so good at. Glenn Alexander’s lyrics are very profound and so is his humour. It’s not just telling dirty or cheap jokes, you really have to think what the joke is about and that is exactly the reason why the joke doesn’t get old as fast as with some other artists (like Zappa, for example).
Magrathea should really be a lot more popular than they are. They should be playing at the same venues as the likes of Arena and IQ. However, I have a feeling that this band will find it hard to break away from their status, which could be described as cult, but they could also be described as fairly obscure. In order to get more fans, they would have to go on the road, but in order to do that, you have to invest a great deal of money and it is a huge risk. I would love to see what Magrathea would be capable of doing live, but I understand why this might never happen. As long as they keep producing the goods, like on this effort, I guess I’ll have nothing to complain about. Fans of neo and new symphonic should really get a kick out of this band. As far as I’m concerned, they are very much in the same league as Arena or IQ and better than The Flower Kings or Spock’s Beard.
Zasedba
Glenn Alexander – klaviature, vokal, bobni
Gary Gordon – kitara, bas
Produkcija
Magrathea
Seznam skladb
1. In Search Of The Crystal 8:19
2. Bug Eyed Monster 6:44
3. Keeper Of Souls 5:52
4. It’s About That Time 4:24
5. Passion Play 5:52
6. Into The Drink 5:34
7. Magician 6:52
8. Heaven Is Never Enough 5:53
9. Interactive Dreamers 13:03
